10 White Horse Street, W1J 7LJ, London
For its [VITRINE] project, HOTEL CONTEMPORARY is pleased to present http://shipwheelcattle.com/Scenes/Lauren_Chase/PG_Lauren_Chase.html The Bachelors by British artist Charlie Billingham.
The imagery in Billingham’s paintings stems from Georgian and Regency era satirical drawings and prints, such as those of James Gillray and Thomas Rowlandson, who, like Billingham himself, were alumni of the Royal Academy Schools. The artist takes cropped sections of the original images, thus shifting and recontextualising the initial narratives, and reworks them with layers of colour to create his oil paintings. In these two works, Billingham sourced the imagery from a drawing by Thomas Rowlandson, which depicts two men brawling in the sreet.
The location chosen for this [VITRINE] draws on the historical context of Billingham’s source material. In the 18th century, the Georgian bourgeoisie would convene at Shepherd Market to indulge in lustful and excessively inebriated evenings, often leading to encounters such as those depicted in buy finast generic The Bachelors.
http://sipscoffscribe.com/tag/supplements/ Charlie Billingham (b.1984 London, England) MA Fine Art - Royal Academy Schools, London (2013). Recent solo exhibitions: Desire Path, Travesía Cuatro Madrid, Spain (2017), Charlie Billingham, Independent Regence, Supportico Lopez, Brussels, BL (2017), The Comforts of Bath, Moran Moran, Los Angeles, USA (2016), Solo presentation with Supportico Lopez, Art Basel Miami, USA (2015), Schaulust, Supportico Lopez, Berlin, DE (2015). Recent group shows: EXTRA, The Hole NYC, USA (2018), Plant Scenery of the World, Inverleith House, Edinburgh, UK (2017), The Coverly Set, Sergent’s Daughters, New York USA (2017), Figure.Out, Union Gallery, London, UK (2017), Aquel Que Camina Delante, Travesia Cuatro, Guadalajara, MX (2016), Carpet For A Lord, Supportico Lopez, Berlin, DE (2016), A Scratching Not A Biting, Bureau, New York, USA (2016), The Ultimate Vessel, Koppe Astner, Glasgow, UK (2015), The Funnies, MOT International, Brussels, BE (2015), Nobody Home, curated by Gigiotto del Vecchio, A Palazzo, Brescia, IT (2015), The Word Today Serves No One Except To Say To The Grocer Give Me A Pound Of Lentils, Supportico Lopez, Berlin, DE (2014), Free Time, Emalin, Zuoz, CH (2014), Bloody English, Moran Moran, Los Angeles, USA (2014), New Order: British Art Today, Saatchi Gallery, London (2013).